Ukhalil Fong, Hong Kong singer artist who included a feeling of soul and R & B with Chinese Pop songs, died on February 21. He was 41.
His death was announced on Saturday with his recorded label, fu music. The proclamation did not say that Mr Fong was dead or clarify the cause of death, but he said he was holding “because of sickness” for five years.
They are popular to find its power in the soul and a separate blanket of the “Mandarin Pop, Mr Fong Music and get the audience in Hong Kong, a broader Mainland China and a wide range of China.
“Trying to introduce the music of the soul, or soul of R & B, it wasn’t easy,” he said in the 2016’s conversations with the South China Morning Post, noting that this kind was not accepted in the region. “One of what I wanted to do would present this kind of music inside Chinese language.”
He broke the popular music area in 2005, where warner Hong Kong pulled out his funky, allowed the Dutbot album, “Soulboy.” In the following ten years, he took eight albums and was made on stadiums and large large hallet halls worldwide, dressed in his black glasses.
But Mr Mr Fong’s work was decided by health problems, and recent years she had returned to the public eye. The inspiration that never stops flowing, however, and brought out gaps.
He recorded his final album, “dreaming,” in the middle of what he described as different categories of illness, their kind never express.
Making Music “became a challenge and ease in a sad regional” illness, wrote on Instagram when Album released in October.
“I have tons of notes and ideas, song structures and joint songs whenever I can handle, I was proud.
Ukhalil Fong, his Chinese word in Fong Tai-Tung, was born on July 14, 1983, in Hawaii.
Her father was a drum, and Mr Fong grew listening to her blues and soul from the 1950s, ’60s and’ 70s. Her mother was a teacher of Language who later became her full-time manager and was called other songs as Lyrisist.
When Mr Fong was 5, the family moved to Shanghai, where he stayed for several years. After a short stomach in Guangzhou, they live in Hong Kong. He started reading the guitar and writing young music, and soon he put the tapes of the demo recording labels.
He was released 22 when the “soulboy” was released. Many albums, among them “love of love is love,” “orange” and “is not expiring,” followed in quick succession, and earth trip.
The translation of the US songs such as “Nothing will change my love for you” and “red beans,” red ballad, “Chinese ballad is a famous Faye Wong singer, collected by millions of views online.
While most Pop Artists in Hong Kong sings in Cantonese, he agreed to the discussions that he did not feel comfortable singing in his third language. He often sang in Mandarin and English.
In 2016, he instituted the Independent Label Fu Music, saying he wanted to pay the tax on both Chinese and Western influences.
“JTW,” he was named after the MING-Dynasty Buddhist journey to Epic “to the west,” this year was issued. The album included working with the South Korea Pop Stars, Zion and crushing, and Tayanese-American Pop Star Wang Leehom.
In 2018, Mr Fong began publishing the “EMI CATCHER,” has a novel series he wrote in Chinese and English, with a girl with a good dream help her to understand her place on earth.
“I think that news is a reminder to me and other things to remember, building a better community for generations to come,” said the conversation at the time.
He did not disclose to be battled with health problems until 2024, when he presented “the anchor,” his last album.
“In life we all face challenges but let us not forget that you can be dreams,” he wrote.
Full details about Mr Fong’s survival is not available. He said the discussions was that he was the only child and had no children himself.
He recently told the Chinese language shops that he hoped for first visit and had new music programs. A few weeks ago, he encouraged the video with “Oasis,” a song from “dreaming.”
The album was wide. Its songs included the retaliation of the woods in the Internet rumor to grow and review the “most lifestiest mike.
Most of the sweet, perhaps, is the way he expresses the passage of time. Many songs in the album, including the last, “never to say,” faster between Midrentence, just before he left thought.
Oh, my dear, can I want you to stay
But the truth tells me
That there is nothing out there …
