While leading-up to Frieve la, there is one artist who painted a city from Hollywood to the Grand Avenue. Venice-based Doug Aitken issued a new job in three places this season. November 8nd Was his latest film, LightscapeSetting astronomy Natasha Lyonne, who narrowed in Marciana Art Foundation.
“Reflecting on change and how do we deserve, or leave behind?” Aitken tells what’s looking at the latest of the morning through the gallery. “Are we part of this account, or do we build our own account and be very good in the world we live in? Are we moving to our myths?”
When you enter a gallery, the first art is called An animalA limited picture of the life of P-22, a mountain lion used to navigate from Hollywood hills until he had been commemorated in 2022. Aitken’s bill is made entirely in the city.
“Building materials treat the account. Freeway Rubber, Microplastics, food items are all pressed into a mountain lion,” the artist, the list of ingredients. “It can also have all the symbols of the art, not just that of the symbols. What is DNA of art work? In the exhibition, I was deeply harrowed by the world’s Artmaking trip.”
The North Gallery Gallery holds three lives, two of those in Plaster, appeared to be made of white porcelain. In fact, recorded from styrofoam from reset the reset in the South Central LA and completed with eco-resin glaze. On the surrounding wall is what looks like acrylic landscapes but is a wall on a hand-shaped and printed wall made as news boards while making Lightscape. While the songs and colors vary, each reflects the modern-central house with pool-one pool of teapes, some of the cloud, one of the country.
“I thought about the Western state, we were there before us, a deep time, a deep history, deeper nature.
The fabrics were part of Aitken’s practice during the Aitdown’s outtime at home when he started his show, “flags and debris,” resisting the algorithms, “in short films containing the la dance.
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According to Redondo Beach, California, he learned in Coler Center College of Design Pasadena. He moved to New York in 1994, shortly after graduation, he also presented his first show in Gallery of 303. He keeps a place in the city but always work mainly in Los Angeles. Her art can be found in the Eternal Languages ​​of places such as Art Institute of Chicago, Ourself by OurHirshhorn, Hirshhorn, the Met, Moma and Whitney, among others.
In Regen’s South Gallery, Light is low, and space is managed by Stags in the middle-level horns size. Made from the same missions as the combined with wind animals, horns shone in various shadows. They surround the metal cactus in the Betire planters, some with the lighted birds on their branches. One side of the room holds the bus stop, while the other indicates the ICE machine editor – repented. A pile with star tires estimate the make-up.
“I was interested in making informal Snailed Scunptures. “I was attracted to the idea of ​​a different surprise every time you meet it.”
The lighting Stag’s horns remembers his 2019 exhibition of 2019, “Do not forget to breathe,” with the limited ingredients of men and women, “modern statistics” is a priority, now part of the Marciano exhibition. Like many artists, you often return to themes, build up for what it appeared, the way LightWith pictures of wildlife in abandoned sites, they turn it back to his 2011 film, The dark mirror.
In the coming weeks, Aitken will return to Marciano to clarify Lightscape For live events and music in partnership with Los Angeles Master Chief, La Phil and Doug Aitken Workshop as part of the next film.
“For me, all works of art, the whole project becomes part of a broad tapestry, such as many branches growing.” Indicates MountainA large tangle of mountain mountain lions by a bubbling resin coating embeddown. “Like this section, can we continue, made of seed and resin, the nature and the art. It is a lasting cycle.
“The Psygic Debris field” is open to Regen projects in Hollywood to February 22.
